Sunday, 19 October 2014

Foo Fighters New Release

Believe it or not, behind my love for good 'Indie rock' music lies roots of an, arguably, hard core rocker. Having been bought up surrounded by bands such as Nirvana, Green Day and Red Hot Chilli Peppers, music with rage-y guitar riffs have a particularly special place in my heart. Foo Fighters are no exception to this and in fact have a specific place just for them. Since I was a small child they have been a big part of my musical life; most of my close family members enjoyed listening to them, due to this some of my earliest memories of music is the sound of Foo Fighters (how cliché). Now knowing my admittedly strong feelings towards Foo Fighters, you can easily imagine my excitement when they announced their new album as well as a new documentary series, both titled 'Sonic Highways'.

Sonic Highways
source: www.stereogum.com
This Friday saw the release of the first instalment from their eighth studio album, 'Sonic Highways', titled Something From Nothing- recorded in Chicago with Steve Albini who produced Nirvana’s final studio album 'In Utero'. The first episode of the documentary also broadcast in the States that very same day, displaying the bands eagerness to fuel fans excitement and give them a healthy dose of Foo's musical goodness. Having only revealed a snippet of the song during the 'Sonic Highways' trailer it was much appreciated by fans when they released the song in it's full, nearly five minutes, entirety.

Sonic Highways
source: www.foofighters.com
The song is distinctly Foo Fighter-esk; opening with chords that resemble classic blues sounds, then breaking into typical Foo Fighters intense riffs and epic drums provided by Taylor Hawkins. Lead singer Dave Grohl actively complements the epic sound changes starting with a smooth vocals that trick you into thinking the climax is about to happen, only to reveal your premonitions were wrong when he returns to a calm tone. Until finally when he begins the raging screams that we all anticipate from a Foo's song with the lyrics "Fuck it all I came from nothing".

Seemingly the song has impressed many fans, fulfilling their exceptions of an intense hit, with classic rock chord changes echoing their influences from much loved bands such as Black Sabbath and ACDC. However, there have been some fans that argue it's a little too cliché and generic. Although I would agree that the song has a noticeable structure that could seem generic, it echoes the classic rock sound and rather drifts away from a more punk/grungy sounds- which isn't always a bad thing.

Living in England has meant so far I have only been able to hear the song and have not yet seen the first episode of 'Sonic Highways', which makes it's début on the BBC on the 26th of this month. But if Something from Nothing and also the last film made by Dave Grohl ('Sound City') is anything to go on the album-as well as the documentary- are bound to be of epic proportions.

Listen here to Something From Nothing:

https://www.youtube.com/watch?v=Y3B0Vx_yQgo#t=91



Friday, 3 October 2014

The 1975 Alexandra Palace

//

source:www.gigwise.com
The 1975, no matter how much stick they get from such critics as NME, are a band which I thoroughly enjoy listening too as much as I enjoy seeing them live. The four piece band originated from Manchester with big dreams to become famous. Their first EP 'Facedown' was released in 2012, the lead track of the EP The City attract the attention of national radio stations and was featured in BBC Radio One's introducing segment. Their second EP 'Sex' followed hot on the heels of the first in 2012, and was once again recognised by national radio stations. In the year of 2013 they released two more EPs, one of which contained arguably their most popular song Chocolate- which reached number 19 in UK charts, as well as receiving lots of air time on popular radio stations both in the UK and internationally. The 1975 released their debut, self-titled album in September 2013 and it went down a storm reaching No.1 in the UK album charts. From then on they were on an extensive world wide tour, attending major festivals such as Reading and Leeds in 2013 and more recently Glastonbury in 2014. They have played many venues with an incredible size gap from Camden's Barfly to more recently playing Alexandra Palace.

Having seen The 1975 in January of this year I knew the show was going to be incredible, it felt like it had been a life time ago since I had last seen them so I was very much looking forward to the gig. With high anticipations, dressed in black bar the small pink dragon on my-so-hideous-it's-cute shirt and a topped up oyster card, myself and two friends hit the trains to make our almost two hour treck across London to the great 'Ally Pally'. When we arrived the hike up the hill wasn't as bad as we first thought, when we reached the top the breath-taking views of London were surpassed fairly quickly by the hideously long queue to get in. Thankfully being in good company along with Alexandra Palace's good organisation skills the line moved quite fast. Before entering the crowd I nervously anticipated a great size difference between the O2 Academy Brixton (having only seen them there before) and Ally Pally and worried we wouldn't get a good spot. However we managed to land a good viewing space to the side, where we were fairly close and could see the whole of the stage.

The first warm up act was the band Y.O.U, we entered just after they had started and managed to miss the first song, but it wasn't so bad as many people where still pouring in so they must have missed the first song too. The stage was brightly lit with colourful, what can only be described as, light cubes and cuboids. The band members consisted of three men performing music which very much reminded me of 80s indie-pop songs, somewhat echoing melodies you'd expect to hear from Pulp or The Smiths. Even the opening of one of their songs sounded strangely similar to Girls Just Wanna Have Fun (that classic 80s jam), so much so I was expecting a cover until it became evident the lyrics were different. Although the crowd didn't seem too enthused (to be honest I wasn't really) Y.O.U still managed to get the vast amount of people to clap with a few songs, a job well done.

Circa Waves

source:www.blacknightcrash.com
The second warm up act I am thrilled to say were Circa Waves! Before a gig I don't usually look into who the opening acts are going to be, so when I found out that Circa Waves were performing I was most excited as I can't make their show in November. The four piece band from Liverpool were amazing, playing their hits Young Chasers, Stuck in My Teeth and  (their newish song) So Long. Their stage presence and interaction with the audience was very enjoyable, plus their lively song choices made for a show that is meant to be danced to. However the dancing seemed to scarce around the area in which we stood so unfortunately our dancing had to be scaled down during Circa Waves' act. If you haven't yet heard any of Circa Waves' songs they are really worth checking out, plus (as addressed briefly) they are doing a show in November-which unfortunately I cant make- which I'm certain is going to an amazing night.

During the break between Circa Waves and The 1975 the lights which lit up the audience were turned on, during this time there was the odd serge of movement towards the front; which wasn't too bad as it got us closer to the stage it was just at inappropriate time really. So now everybody was a lot closer to each other the temperature of the crowd began to rise, and the waiting began to get a little tedious. When the time got closer to them coming on stage the lights began to dim painstakingly slowly, and a purposeful background humming was getting louder through the speakers, as smoke was pouring out from the sides of the stage. In retrospect this was a very clever and artistic move; building the suspense of the audience whilst being elaborate with really simple elements of the stage (smoke, lights etc.) but at the time my feet were hurting and I just wanted it to start. When the band finally entered the stage the excitement of the room went through the roof. All the band members entered and took their place, Matty entered with a 3/4 finished bottle of wine and once he sat it down they began with their classic The City. They then continued to perform hit after hit such as She Way Out, Settle Down and Heart Out. They also played my favourite song from the album which is Pressure which was so great to hear live again.


The 1975 -- Ally Pally

source: www.whenthegramophonerings.com
The setlist seemed to never ending, but when it did come to the end it was quite a melancholy anti-climax. But of course they returned to do the encore which was my highlight of the whole evening. They performed the ultimate crowd pleasers that were, Robbers, Chocolate and Sex. During Robbers Matty announces they were bringing a fan onto the stage. A girl arrives on stage looking like she is having the time of her life, Matty was incredibly nice and welcoming to the fan and it was a very heart warming moment, but also a moment which I very much wished I was the girl on stage... I would say the only negative of the evening was that although the three of us were belting out the lyrics to every song performed, what we really wanted to do was dance and go a little bit wild... yes it's a concert I think that's a normal request of such events. Yet most of the people around us hardly moved. However, once Sex came on we were persistent and jumped around like mad-men which seemingly encouraged others around us to join in and for the entirety of the song we were singing and jumping- this became the best moment of the night- it was amazing.

During the performance Matty stated that “This is the biggest fucking gig we’ve ever done”, making the evening a lot more special and something that feels almost a privilege to be a part of. The band announced that they were going to be away from the gig scene for a while in order to start work on a new album. So, fingers crossed, if the new album is anything like their first it will brilliant and will result in a good night out.

Thursday, 2 October 2014

Lewis Watson at Shepards Bush

Freckle faced, long haired, and apparently raised in Bicester, Oxfordshire (according to Wikipedia), singer-song writer Lewis Watson has seemingly come a long way from his early days of recording Bombay Bicycle Club Covers on his YouTube channel to now performing at the epic venue that is the O2 Shepard's Bush Empire. Lewis Watson's humble begins began back in 2010 when he first uploaded his cover of Bombay Bicycle Club's Swansea, from then on he continued to upload various popular songs receiving thousands of hits. It was then in 2012 when Holyloowis (his YouTube channel name FYI) released his first EP with the lyrical contents that could pull on the hearts strings of anyone within ear shot. It seems as though the first EP was a catalyst for many more releases in the space of just one year; he even recorded 'Some Songs With Some Friends' with musicians Hudson and Taylor, Gabrielle Aplin and Kimberly Anne. When 2014 rolled around the corner Lewis announced that his debut album was to be released in June, it's an understatement to say that the Lewis Watson fan base were thrilled by the news that Lewis was releasing more than four songs (see what I did there... 'Four More Songs' was a name of one of his EPs...sorry for the cheesy joke). The album 'The Morning' included both new songs and old, the oldest being Windows which was originally released on his first EP. Following the release of his album Lewis Watson started his tour this Autumn.

Having first heard the gentle voice of Lewis Watson back in 2012 and only seeing him for three songs at Somersault fest this year, I highly anticipated his performance at Shepard's Bush. When we arrived at the venue a small group of friends and I scored a fairly good spot in the middle giving us a pretty good view of the stage. Before any performers even entered the stage the atmosphere was buzzing with excitement, I found it incredibly refreshing to be in a crowd that practically gave off an aura that screamed they were long term fans; so much so I almost felt ashamed I didn't know all the words.

Andreas Moe

source: www.believerecordings.com
It wasn't long until the first act took the stage; one lone man with just a guitar and a hairy face (which is the perfect combination if you ask me). This slightly hairy faced man was Andreas Moe, a very dreamy, acoustic singer-songwriter from Sweden. As soon as Andreas stepped on stage the room went dark and the only lighting were two spotlights behind him. Having never heard any of his music before, the lighting complimented his mellow performance perfectly. Even though some of his song lyrics are a little cheesy (which he politely warned us about) his endearing stage presence mixed with his delicate folk tunes evokes relaxed 'vibes' and creates a very enjoyable show. If, like me, you haven't heard any of Andreas' work then definitely have a listen.

The second act, who again shamefully I had never heard of,

Amber Run

source: www.birminghampromoters.com
were the five piece band Amber Run. Their set was excellent and a definite crowd pleaser both for people like me who hadn't seem them before and also for fans who sang along to their hits. After seeing them I have had a little time to look into the band
and I was shocked by how much buzz they've managed to create, from supporting Kodaline to being played on Xfm, they definitely have a good thing going. I was also pleasantly surprised to find they are signed to the Communion record label. They had a delightful stage presence and really got the crowd singing and dancing even though most of the audience didn't know the words. Their folk and pop hybrid made for a good show and I think we will being seeing big things from them in the near future. I actually had opportunity to talk to a member of Amber Run after the show, however not knowing exactly what their faces looked like instead of complimenting them I asked their keyboard player if he could take a picture of my friends and I... how embarrassing but at least I will know his face for next time. 

Now on to the main man himself. Mr Lewis Watson. When Lewis arrived on the stage his face seemed to light up with both the feeling of genuine joy and also a hint of fear. This was his biggest show to date so no wonder our staring faces were a little daunting. He opened the show with the first song from his debut album: Stones Around The Sun, the performance was both chilling and effortless foreshadowing the goodness that was to come. He then continued to play songs both old and new, creating a very crowd pleasing set, with hits like Outgrow, Sink or Swim and of course Windows. My favourite song of the night was Into the Wild, as this was one of the first Lewis Watson songs I heard giving me quite a strong feeling of nostalgia. However, although the setlist was sufficiently crowd pleasing he missed off one song in particular that was seemingly very important to his fans and that song was Bones. Although Lewis lacked in Bones that night he managed to win over the crowd once more by coming into the stalls with just his guitar, singing his cover of Made up Song #43. He came within smelling distance, shall we say, making the performance very intimate and surreal.


Lewis Watson

source: www.o2shepardsbushempire.co.uk

Overall the show was brilliant and is an experience that feels great to have been a part of. I would say the fact that he can perform to a fairly large crowd but can still sing to you and make you feel like the only one is impressive and that its a sign of a lot more to come.