Showing posts with label secret garden party. Show all posts
Showing posts with label secret garden party. Show all posts

Friday, 29 July 2016

SGP - Petite Meller

SGP
Whilst Sunday maybe a festival's quietest day, their stages are still as alive as ever. Hidden on the east side of the fields was The Next Stage, new to SGP this year. On which you could have found the french powder-puff mademoiselle, Petite Meller (yes that's her real name) and her extremely talented Afro-French band, enact the most aesthetically pleasing performance that required three outfit changes and looked as if it was extracted from the dreams of Wes Anderson.

Outfit number 1 (bar the heels)
source: @Petitemeller
For most people, the sexualisation of adolescence or the appropriation of culture are areas of discomfort, however, for this Lolita archetype, who is enamoured with African culture, these are topics which should be so obvious that they are neither damned or damaged nor are they glamorised. And with her degree, and soon to be masters, in philosophy this girl knows her stuff when it comes to repression, Lacanian theory, sexuality, and what we see as literal- something she likes to release when on stage. With this in mind, it becomes clear that her imagery isn't just an artistic stunt, instead she claims that "bringing the libidinal unconscious dreams into reality is what fascinates" her and for this reason she aims to create realities that are "more real" than the unrepressed ones we have in our consciousness.

Whilst her philosophical passions can be hard to get your head around, her performance of fun electro-pop-eurotrash-inspired French chansons (in English) are easy to get along with and groove down to. Unfortunately for Petite her set happened to be during the Sunday headliner, Air, so the crowd was a petite as she is. The size of the crowd even left one member asking whether fellow gardeners knew what was about to happen and then deciding it was better they weren't there as it left more space to dance. And how the crowd did.

Petite and co.
Filling the stage with bizarre instruments of the jazz and electro variety, were her band, dressed in coordinating blue and mustard garments, and looking as cute as hell. Then without a moment to spare Petite greeted the stage with her sugary sweet presence in her first outfit of the night: "a Russian hotel blanket", 70's velvet platforms, and what looked like a safari helmet. With only a few singles out in the mainstream, her setlist wasn't as chunky as her heels, yet she still played her pop-jazz fusion with an unstoppable tenacity (despite a few stumbles and nip slips). And although her set was small it was solid, squeaky gold that called for dancing that seemed to be a hybrid of structured motifs and eye rolling seizures, that the crowd seemed to conquer with by flailing their bodies to the beat. After performing such crowd favourites as Babylove, Barbaric, and Milk Bath, and wearing three different kinds of hat, Petite finished a set that felt like she could have gone on forever, and given that the crowd were the "best ever" (according to Petite) they probably would have let her.

With her high notes and sax sounds still ringing in gardeners' ears she left the crowd confused by a mysterious blindfolded character on stage (that she left there) and a toothache from just how sweet she was.

Take a bite out of this cupcake and find out for yourself:
Petite Meller/Website
Petite Meller/Twitter
Petite Meller/Facebook

Thursday, 28 July 2016

SGP - Caribou

SGP

Being the headliner at a festival is tough, but headlining a festival and performing after a six year firework spectacular tradition seems impossible. Yet, stood dressed all in white and silhouetted by strobe lights on The Great Stage, Caribou seemed to handle the job with the slickness of liquid velvet.

Caribou 
Source: Andrew Whitton

Having been around for the past 11 years, Caribou knows exactly what it takes to make a crowd weak at the knees and their bodies flail. Known almost as the cult classic of psychedelic electropop, Caribou creates house music like no other. And with their clump of limbs and instruments set up, front man Dan Snaith and co make for an performance of multiple climaxes with a sweaty finish. 

Having had the entirety of the festival on the stage side of the fields, Caribou had no option but to perform to the masses. Although they only had an hour long set, it seemed like the band could have gone on for days and I have no doubt their audience would have let them. As they trickled through the setlist, Caribou made the individual songs into a seamless sea of sounds, with every beat and strobe rolling over the crowd like waves. Performing such tunes as Can't Do Without You, Odessa, and Silver, there wasn't a dry face in the crowd. 

Caribou @ SGP
Source: Andrew Whitton
Whilst electronica can be a musical umbrella that is often mass produced or overrated, Caribou, however, manages to create such an emotional as well as psychedelic experience that it's borderline extraterrestrial (slotting nicely into Secret Garden Party's space theme). On the night Caribou performed the songs so authentically it was as if they were improvised, even though some of the tunes were as old as most of the crowd. It was a multidimensional experience that suited the every gardener's vibe: whether you wanted to have spiritually uplifting voyage or whether you just wanted to boogie till the late hours, Caribou were there for you that Saturday night.

Let your ears get intimate:
Caribou/Website
Caribou/Facebook
Caribou/Twitter
Caribou/Souncloud

Wednesday, 27 July 2016

SGP - La Femme

SGP

After a sweaty day in the scorching sun, nothing seemed worse than dancing in the middle of a toasty crowd for the evening, yet La Femme's performance made it all worth while. Having already had the likes of The Skints, Little Comets, and Swim Deep graced the sage that day it was a surprise just how effortlessly La Femme stole the limelight from right underneath this long list's feet.


La Femme
source: Max Miechowski
With a unique sound that, on paper, shouldn't work at all and with lyrics entirely in French, it comes as a shock just how popular La Femme are in England. Performing as a sextet this French lot, make looking cool their day job. Armed with synths up to their eye balls and surf pop riffery these cool kids create a sound that's as if Mary Goes Round performed a cover of Jane Birkin's Je T'aime whilst riding a carousel. And whilst it sounds implausible, La Femme expertly execute the sultry sound of the ye ye girls and the upbeat jangle of surf-pop, whilst in-keeping with the angry doom of the Kraut and DAF punk movement.

La Femme
source: Max Miechowski
After what appeared to be a rushed set up, La Femme entered The Great Stage without dropping a bead of sweat in front of the crowd which had began to form. With a row of synths along the width of the stage and the drum kit just behind, their lay out prepared eagerly awaiting fans for their surf-pop-cold-wave hybrid.  And whilst they seemed unaffected by the heat of the sun or the size of the crowd, they certainly made the audience sweat for them. Performing such popular, hits as Antitaxi, It's Time To Wake Up 2023, and Amour dans les motu, La Femme encouraged a surge of dancing which slowly formed into a mosh pit in the middle. Finishing their hour set, La Femme put the crowd out of their sticky misery whilst at the same time left them wanting more.

If you were lucky enough to spot them around the festival in the evening, they were giving out handshakes, kisses on the cheek, and free t-shirts (at some point).

They're fun and furious, and even if you can't be bothered to translate the lyrics they're like an electro-punk themed carousel on the West Coast that once you've heard it you'll definitely wanna ride. Get on here:
La Femme/Facebook
La Femme/Website
La Femme/Twitter
La Femme/soundcloud

Tuesday, 26 July 2016

SGP - Blondage

SGP
Having suffered last year with pouring rain and mud baths, Secret Garden Party got to show off their full potential this summer with beautiful weather and glitter covered gardeners, despite the fact they didn't sell out this year. For this year's theme Head Gardeners planned a weekend of intergalactic transportation, taking inspo from the cult classic Hitchhiker's Guide to the Galaxy, and amply naming it The Gardeners Guide to the Galaxy.

Blondage
As a festival there stands to be no kind of set structure, rather it is truly just one big party, although having said this the festival doesn't shy away from providing many a stage, which many a great artist performed on throughout the four days. In this four-post-mini-series, there will be a taster of the bands who stood out as the 'best in show' of each day, starting obviously with Thursday.

Although the festival does officially start on Thursday, The Great Stage remains redundant until Friday, which means that it is left to the mini stages to fill the ears of wandering gardeners. New to 2016, The Urban Forest, was merely one of the stages located around the three fields. Built entirely out of old shutters, window frames, and mirrors, the Urban Forest was an home from home in the strange galaxy that was SGP '16. Headlining the Urban Forest on Thursday evening was the Danish electro-duo Blondage. 

Blondage @ Secret Garden Party
Formerly known as Ragleklods, Blondage is made up of the talented Pernille Smith-Sivertsen and Essen Andersen. With only two singles to their name, Blondage aren't easy to hear, so seemingly the best way to listen to them is live. If you were lucky enough to stumble upon their performance on Thursday, you would have found these strobe-a-holics drenched in all black and producing the juiciest synths since Kraftwerk's The Man Machine. Whilst the crowd was small, their performance was not. Whipping out instruments that didn't seem real, and managing to sing (yes both of them) whilst mixing their own music live, Blonadge's pop-electro performance created bubblegum sweet sounds that made your ears happy, whilst your feet hurt. Hidden by cutely coloured back lighting this duo were merely silhouettes on stage that, even without being able to see their faces, performed with ice cool eclat. 

Described by one in the crowd as 'like Grimes but trying less hard' they are clearly a duo to keep your eyes on. Serve yourself an aesthetically pleasing slice of whatever their having here (because you'll sure want a taste):

Sunday, 9 August 2015

The Sentimental Secret Garden Playlist

Whilst many were tucked up in their warm beds, in dry homes, only the brave flocked to the unpredictable British countryside for five days of unruly mayhem. Those who brave it can only, and do, pray for sun and not only dry but solid ground. However, the dream did not become a reality for this year's Secret Gardeners, instead they were left with two days of solid rain, soup-y ground and threatening winds. Despite this, all was not lost. Determined festival goers did not let the grey sky, hunt for ponchos and sodden tents disgruntle them, nay, the party continued and glitter remained rife. For this years theme head gardeners a like provided a party of 'childish things'; and what with the alphabet-block lights plastered over the festival, the notorious fox dressed as Basil Brush and an island stage made from what looked like Playmobil not an element of childhood went a miss- even mud pies were of unlimited supply.

The festival itself appeals to many different people, varying in music taste and style. This said variety of audience members enables the festival to have a vast array of different stages and places to play, why you only have to walk through the 'Lost Woods' to discover two very different styles of music within metres of each other. This wonderful mismatch congregation of gardeners means that everyone experiences the festival very differently, creating an individual and almost sentimental feeling towards Secret Garden Party- which seemingly resonates in not only those who return year after year but SGP virgins also. As a gardener of this year's party myself I felt it necessary to compile a playlist of songs which sum the wonderfully wet weekend that was Secret Garden Party 2015, so without further adieu here's a list of songs and more banging on about how wet it was (ooer).

Basil Brush
source: 405

1) Hozier- Take Me To Church

This may seem like a peculiar one, mainly to those who attended the party, as Hozier wasn't at this year's party but to those who spent a majority of their time in the north field will know that Hozier's existence at the festival was all too real. As for every day, without fail, this very song was played. Although their was no set take-me-to-church-time, it was a guarantee, thus it makes the list as an although not a good song it was a most definitely a memorable one.

2) Jungle- Busy Earnin'

Although Friday saw the first of the two days of non-stop rain, it also saw jingly-jangly Jungle hit The Great Stage. Much of the festival fled to The Great Stage to see the 'neo-soul' duo and whilst the gardeners were drenched by the infinite drizzle, Jungle performed a set that drowned in lush falsettos and sumptuous synths. Busy Earnin' is one of the band's most popular hits, since emerging on the music scene in 2013, and seemed to not only follow you around the festival, but also set dancing feet in motion for the rest of the weekend.

3)  Darwin Deez- Bad Day


Darwin Deez
source: Secret Garden Party

For some of the gardeners Jungle's dreamy performance was interrupted towards the end by New York's sassy foursome Darwin Deez. As an avid fan of the band their performance was more than I could I have ever hoped for, and I think it's pretty safe to say whether you were a fan or not if you were in the crowd you had a good time. Despite the socially awkward stance, the quarto are charismatic and hilariously funny, putting on a performance of not only brilliantly witty written songs but also choreographed dance routines running throughout! They undeniably performed a set built for a sing-a-long, stealing the attention away from the rain and leaving the crowd craving the next dance interval. The band's song Bad Day, in particularseemed to hit a special love spot for the crowd, catalysing a unified sing song to the sarcastic and clever ditty which, much like an indirect tweet, you hope is never aimed at you.

4) Angus and Julia Stone- Big Jet Plane

Saturday saw some sun! And along with the sun came the Australian bother-sister duo Angus and Julia Stone. The low-key folk rock duo are mesmerisingly talented, from the low murmurs and deep reverberating guitar from enigmatic brother Angus to the flittering Julia makes between instruments from guitar, keyboard to trumpet it's no surprise that the duo make sounds which certainly have the goose-bump-effect. The sweetly bleak song Big Jet Plane (an Angus hit from 2010) was one the whole crowd knew the lyrics to, whilst the song was full of woebegone vibes the crowd definitely wasn't and enjoyed every minute of the duo's instalment of country tunes and some Aussie sunshine which they bought to The Great Stage.

5)  The Prodigy- Fire Starter

Another random one, but a song that was central to the festival nonetheless . Fire was firstly a focal attraction due to the never-ending  rainfall which left gardeners chilly and dishevelled evoking a state of cavemanism where the search for warmth turned quickly into "man need fire". However, fire was not only focal for its conventional uses but also for blowing shit up. Saturday night saw the burning of a giant projection screen which, before it turned to ashes, added to the childish theme playing childhood classics. The screen took its time to burn, and revealed the ominous message: 'Game Over'. The Sunday saw the pinnacle event: 'The Big Burn', whereby the island in the middle diminishes from inside out, creating a glorious light in the centre of the festival and emitting a surprising amount of warmth. However, fire was not only central for the festival itself but also for brilliantly brainy 'Guerilla Science' tent, which ran a performance of fire and sound, all weekend, through the biggest fire organ in the UK. Thus the infamous rave  hit Fire Starter went down a storm in regards to the spread of fire which thankfully was a safe theme at Secret Garden Party.

Big Burn
source: Secret Garden Party
6) The Acid- Creeper

After the 'Saturday Spectacular' firework display, it was to Where The Wild Things Are we went to find The Acid in the early hours of Sunday morning. Cold and draped in coats the crowd swayed uncontrollably to infectious beats of trio The Acid. The band's set aimed to thump through the bodies of both those standing next to speakers to those sitting at the back. They are definitely a band to move to, who create psychedelic house beats carrying contrastingly prominent heavy guitar running throughout. Their song Creeper is not only one of my personal favourites due to it's heavy tone and haunting lyrics ("I want to love you like a creeper") but is also enjoyable in the way that when you yell the title to a friend in a crowd they easily misinterpret it as an insult against the man who is innocently standing in front of you.
Saturday Spectacular
source: Secret Garden Party

7) The Indiana Jones Theme Tune

As aforementioned the central attraction of Saturday at Secret Garden Party is their 'Saturday Spectacular' fire work display, which, sticking to the theme of childish things, was orchestrated  by that classic hit The Indiana Jones Theme Tune. As a series of 'aws' and 'ahs' echoed through the audience it was clear that while the fireworks were sparked by the hands of the trained said theme tune sparked an explosion of nostalgia for all involved.

8) RHODES- Turning Back Around

On the last day gardeners were once again met with more rain... however they were also greeted by the melodies of the young British singer song-writer RHODES. With a wealthy history of supporting such indie-folk singers as Nick Mulvey and Laura Marling it comes as no surprise to find that the songs that David Rhodes creates are ones similar in more ways than one. Yet that's not to say that the relaxed folk vibes weren't appreciated, on the contrary, rather they were welcomed by the weak arms of the last-night-crowd as if Rhodes himself had wove his audience two soft pillows for their ears with his tongue and guitar. Turning Back Around seemingly is his most popular song, given it was the song that most of the crowd knew the words to, its mellow guitar and husky tones are both calming at chilling giving Rhodes the opportunity to show off just how nibble his fingers are but also how extensive his vocal chords are too.

9) Bernhoft- C'mon Talk 

Following Rhodes was Norway's home grown mulit-instrumentalist and lyricist- the one man band- Jarle Bernhoft. Bernhoft, who enters the stage with nothing but a mic, pedals and a guitar, seems to offer not a lot in the way of fellow band members yet when he plays he covers all elements of the musical spectrum. Whilst he is on stage he not only sings and plays guitar, but creates the backing track to go with it as well as the percussion he produces with only his mouth! His musical talents, which although for me had gone unnoticed until now, have not gone unrecognised and this year even saw him be nominated for a Grammy (for Best R&B Album I'll have you know). His song C'mon Talk is an older track from his 2011 album and reaches the extremities of soul and R&B, ticking all the boxes for a soulful seduction and exposing his baffling skill of coordinating the stepping on pedals with his swaying of hips (which are anything but "rusty" as Bernhoft himself had described them)

10) Floella Grace- ODSM 

Bizarrely enough I've decided to end this elongated list with a song I didn't even hear until I arrived home on the Monday, but have faith there is reason in the madness...  Whilst I attempt to not get too meaningful and deep man I will say this, that there are some people that are just nice, a genuine nice that you only have to experience once and will stick with you forever. My friends and I were lucky enough to experience this when we met Flo and Garreth from Floella Grace, and although that Sunday will never be recreated their music is a reminder not just for those who shared that reality but for everyone that this is what we live for, to meet new  people and share experiences we will never forget- I mean that's what festivals are about: the removal of all social norms for a weekend. ODSM  is emotive and delicate, as songs go, and is worth a listen to even if you ignore the sloppy stuff written above.

Fin, till next year SGP.

Be a gardener at the next party (which we hope will be less wet): Secret Garden Party 2016